Originally conceived as a lounge chair that he could also use for meditation in his home, Rasmussen’s combination of wood and rope creates a simple, flexible chair that gives a sense of both floating and connection with the ground. The open triangle frame, available in either walnut or oak, has been constructed without using a single screw, while the 90 meters of hand-woven, natural linen cord that make the seat and backrest add a lightness to the design.
Exhibiting a petite visual and physical footprint, the Loafer club chair allows for easy placement in lounges, bars and bedrooms. With its elegant contours and plush upholstery, the design provides users with the same level of comfort as its larger counterparts.
The Atli Lounge Chair makes a commanding impression - bold, sculptural, and unmistakably modern. Designed by New York-based Atlason Studio, Atli is a statement piece defined by its oversized tubular steel frame and generously padded and precision-tailored upholstery.
The club chair stands out with its airy appearance, thanks to the elegant design of the armrests. Compared to the BACK ME UP Lounge, the BACK ME UP Salon is slightly narrower, and the armrests have a shorter forward extension.
A well-designed shell construction makes the Ella a remarkably smooth swivel chair – at your home, in your office or in a public space. Besides the sleek, original version, we also have the Ella Soft. With a padded interior and subtile tone-on-tone stitching, this chair literally offers you more softness. You can choose different fabric and leather variants on the inside and outside. Ella gives your room exactly the look you have in mind.
Three molded foam components come together to form the George armchair. The hoof-shaped seat shell and wide, curved backrest ensure optimal support in every position. The headrest can be adjusted by manually folding the ‘ears’ inward or outward.
In 1979, Gerard van den Berg introduced the original sofa and easy chair, a design that continues to stand out decades later for its exceptional comfort and visual appeal. Subtle refinements lend the iconic design a contemporary twist. He describes his Ringo design as “cosy and inviting. Once seated, you won’t want to get up.” Starting from a visually simple form, he created three basic variants: an armchair, a 2.5-seater sofa, and a 3-seater sofa. Enhanced foam quality and additional padding on the interior elevate the comfort. This results in a beautifully relaxed drape in the seat and backrest, especially when paired with a variety of rich leather and fabric options.
The Lalea lounge chair is somewhere you don’t want to leave, an island that is both isolated and comfortable. Resembling a floating cloud, Lalea lounge chair is designed to feel exactly like that. Lalea consists of two perfectly complementing parts, the first an intricately detailed leather shell, within it, a soft and bulky set of cushions giving maximum comfort. The contrast between the taught leather of the shell and the loose billowing fabric of the cushions is further highlighted by the possibility to customise both parts in a number of leathers, suedes and fabrics both matching and contrasting.
Oversized, comfortable and enveloping; B15Z Maxi is a chaise-longue-style addition to the family in the style and comfort of Tateyama and B15Z. Enough space to curl up on, B15Z Maxi opens up a world of possibilities within the home. Featuring the same soft curves synonymous with the rest of the family.
The Yoshida Lounge chair is a minimal piece designed to look great from all angles. From the front, two oversized cushions seem to float, unsupported and balancing in place. From behind you see a large solid wood piece which acts as both the base and the back of the chair, containing within it the large fully upholstered seat and back.
A majestic decorative wall object featuring a diameter of 2 meters. With Gong, the visual impact of crystalline material and formal rigor come together in an object magnetically appealing. A parabola of cast silvered glass featuring a hammered effect that celebrates fluidity and the relationship between light and matter through the undulations impressed in the surface. A fluid object with an enigmatic soul forged by fire, it is available in Bronze.
What an exquisite work of craftsmanship it is Hubert armchair. An intricate piece with attention to detail that combines soft lines with the roughness of the metallic structure. The backrest is divided by a fine stitching technique into three different sections and all are padded with feathers and highly soft foams, making this an extremely comfortable piece. Hubert is highlighted by an ergonomic shape, finished with graceful piping along the backrest. This will be the stand-out piece of your interior design project.
A design made for comfort in commercial spaces, Alice is a compact and round-shaped armchair that can fit every room. It features a swivel back base that always swivels back to its starting point, to maintain the right position after usage. This piece is upgraded by an exquisite seam work that values its detailing, especially the horizontal seam on the back that perfectly aligns with the seat height. The attention to detail, size, and comfort make Alice the ultimate armchair for commercial projects.
Miki consists of a substantial seat cushion enclosed by a padded, curvilinear, and protective shell that, extending itself, surrounds and envelops the seat, serving as both backrest and armrest. With its curvilinear flow, it embraces the body, transforming the armchair into a private and welcoming refuge. Defined by its compact dimensions and high backrest, Miki elevates the central die-cast aluminium pedestal as a distinctive element, making the armchair even more versatile in its use.
Hasu in Japanese means lotus flower, renowned for its elegance and sophistication, which are reinterpreted aesthetically: impeccable formal cleanliness, perfect proportions between seat and backrest, and visual purity. Hasu is a light, soft armchair, but at the same time, thanks to its wooden structure, stable and solid. The star-shaped base supports and lifts the seat defined by a more substantial padding compared to the backrest. Not only functional but also highly decorative furniture, it is available in a wide range of removable fabric coverings.
Named after her beloved grandmother, Marga von Dardel, who Liljencrantz credits as the most important role model in her life, this elegant lounge chair and two-seater sofa promise to become fundamental in adding warmth and ease to an interior.
Soft, playful shapes characterise this family of upholstered pieces, the Hippo makes a stylish statement in any interior setting. The Hippo stands on two chunky legs and a wooden profile connecting the seat and back which in stark contrast to the soft shapes is hard-lined and strong.The Hippo series is influenced by the Hippopotamus mammal drawing upon its barrel-shaped torsos. The characteristic wooden leg profile comes in four different oak finishes; natural, light smoked, dark smoked and black and the seat and back come in variety of upholstery optionsxxx*Delivery 7-10 days only while quantities are in stock
The name ‘Basket’ honors the classic hand-weaving technique used in rattan basketry. The collection comprises a three-seater sofa, a two-seater sofa, and a lounge chair, all of which share the same construction. Replacing the inner fiberglass shell that Colombo initially utilized, the core of each piece is now formed from a more environmentally responsible steel skeleton, which provides strength and stability to the unique form. This is covered with a hand-woven rattan skin, made from interlaced strips and oval stakes, a technique that de- mands a tremendous degree of skill and craftsmanship to create.
Featuring a high backrest and rounded shape, the Claire lounge chair invites you to sit comfortably, while enjoying a moment of relaxation. In contrast to the generous upholstery, the metal frame is minimalist, enhanced by solid wood armrests that give the entire armchair a reassuring tactility. Through these sophisticated details and careful experimentation with proportions and volumes, Norm Architects has sought to create a classic lounge for contemporary living.
A classic lounge armchair in its enveloping form with upholstery available in Dallagnese's rich range of fabrics, leathers and eco-leathers. The base is made of wood, turned with care and attention to detail to add solidity to the comfort.
Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It's one of just a few designs by architect Viggo Boesen, who became associated with Denmark's signature design aesthetic in the 1930s called funkis style. Little Petra is surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable.
Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It's one of just a few designs by architect Viggo Boesen, who became associated with Denmark's signature design aesthetic in the 1930s called funkis style. Little Petra is surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable.xxxAs with most natural materials, differences in structure, density and thickness are expected, as two pieces of sheepskin never look identical and tend to show natural variations in both curls and tones.
With pronounced piping details defining the shape, the lounge chair’s sweeping backrest is seamlessly attached to the round, voluminous seat. Elevated by a frame and gently tapered legs in powder-coated cast aluminium, the chair radiates confidence while maintaining a grounded presence.
The peculiarity of the creations of the Spanish architect Patricia Urquiola is its diversity, its unique, exceptional creativity. The Altay collection, created in 2006/2007 is iconic, avant-garde.