VERPAN Series 430 Low Stool

MATER Low Stool 18.5" Aluminum Black leather seat - The Mater Low Stool is designed by the Danish architect duo Space Copenhagen and is regarded as a New Danish Classic. With its organic yet minimalist style, this stool is suitable for both residential and commercial use. A part of the aluminium is derived from aluminium waste and the stool is sand casted by hand in a small Indian workshop. The upholstery is genuine leather.

MATER Low Stool 18.5" Beech Wood Black leather seat - With its organic yet minimalist style, this stool is suitable for both residential and commercial use. The wood is FSC cer tified - the label for responsible forestry - with a water-based stain. The upholster y is genuine leather.

MATER Low Stool 18.5" Oak Wood Black leather seat - With its organic yet minimalist style, this stool is suitable for both residential and commercial use. The wood is FSC certified - the label for responsible forestry - with a water-based stain. The upholster y is genuine leather.

MATER Low Stool 18.5" Soaped Oak Tanned leather seat - Mater’s High Stool, described as a new Danish classic, was designed by Danish design studio Space Copenhagen. The elegant, organic design is well suited for kitchen counters in both domestic and commercial settings. High Stool is made of solid, FSC certified oak with a soaped finish, and it features a seat upholstered with genuine leather.

VERPAN Series 430 Bar Stool - Brass Metal - Bar stool with fully upholstered seat and back with brass metal frame.

A mid-century bestseller from the hand of Ib Kofod-Larsen, The Penguin Dining Chair remains as popular today as when it was first introduced in 1953. Light and elegant with its curved wooden back and upholstered seat, it continues to offer unparalleled sitting comfort thanks to its considered combination of quality craftsmanship and premium materials.

VERPAN Series 430 Bar Stool Black Metal - Bar stool with fully upholstered seat and back with black painted metal frame.

When designing the Trinidad Chair in 1993, Nanna Ditzel found inspiration in the elaborate fretwork from the Gingerbread Facades that she had seen in colonial architecture while travelling through Trinidad. Much like the facades, the cut-out fretwork of the chair triggers an interplay of light and shadows, creating a pattern projected into space and a subtle sense of motion.